The experience will be determinant in creating a personal and exclusive language. A new tool to realize true creativity for the professional photographer and for the artistic and research photography.
KODAK Wratten Gelatin Filters
ND grad filters are part clear, part neutral density (available in grades of .3 (1 stop), .6 (2 stops), .9 (3 stops)). They allow the transition to be blended into the scene, often imperceptibly. A neutral density .6-to-clear, with a two stop differential, will generally compensate the average bright sky-to-foreground situation and is also the most popular density of the series.
code T3000
ND grad filters are part clear, part neutral density (available in grades of .3 (1 stop), .6 (2 stops), .9 (3 stops)). They allow the transition to be blended into the scene, often imperceptibly. A neutral density .6-to-clear, with a two stop differential, will generally compensate the average bright sky-to-foreground situation and is also the most popular density of the series.
code T3002
ND grad filters are part clear, part neutral density (available in grades of .3 (1 stop), .6 (2 stops), .9 (3 stops)). They allow the transition to be blended into the scene, often imperceptibly. A neutral density .6-to-clear, with a two stop differential, will generally compensate the average bright sky-to-foreground situation and is also the most popular density of the series.
code T3004
ND grad filters are part clear, part neutral density (available in grades of .3 (1 stop), .6 (2 stops), .9 (3 stops)). They allow the transition to be blended into the scene, often imperceptibly. A neutral density .6-to-clear, with a two stop differential, will generally compensate the average bright sky-to-foreground situation and is also the most popular density of the series.
code T3018
ND grad filters are part clear, part neutral density (available in grades of .3 (1 stop), .6 (2 stops), .9 (3 stops)). They allow the transition to be blended into the scene, often imperceptibly. A neutral density .6-to-clear, with a two stop differential, will generally compensate the average bright sky-to-foreground situation and is also the most popular density of the series.
code T3020
ND grad filters are part clear, part neutral density (available in grades of .3 (1 stop), .6 (2 stops), .9 (3 stops)). They allow the transition to be blended into the scene, often imperceptibly. A neutral density .6-to-clear, with a two stop differential, will generally compensate the average bright sky-to-foreground situation and is also the most popular density of the series.
code T3022
The 10STOPPER TALOS filter is a neutral density filter commonly used in photography to produce effects of controlled blur.
The leading feature of this type of filters is that of increasing the time of exposure of 10 stops.
- In paste Neutral density Optical glass.
- Constant response in the electromagnetic scale in the visible area.
- Colour-Shifting and contrast for the effect of the lengthening of the exposure is extremely moderate.
- The 10STOPPER filter must be mounted in the first slot close to the lens, the filterholder must be free of light leaks, like the Talos Filterholder, the filter is inserted after having completed the framing and after having placed other eventual filters in the front slots.
Code 3060
The 10STOPPER TALOS filter is a neutral density filter commonly used in photography to produce effects of controlled blur. The leading feature of this type of filters is that of increasing the time of exposure of 10 stops.
- In paste Neutral density Optical glass.
- Constant response in the electromagnetic scale in the visible area.
- Colour-Shifting and contrast for the effect of the lengthening of the exposure is extremely moderate.
- The 10STOPPER filter must be mounted in the first slot close to the lens, the filterholder must be free of light leaks, like the Talos Filterholder, the filter is inserted after having completed the framing and after having placed other eventual filters in the front slots.
Code T3059
Made in optical glass, the Linear Polarizer filter is a must-have accessory in the photographer’s bag.
Its use reduces reflections ( on water, glass, etc.) and adds saturation to colours (sky, foliage, flowers, etc.) which are determinant for your creativity and the good result of your images.
Light absortion 1,2 stop.
Code 3082
Made in optical glass, the Linear Polarizer filter is a must-have accessory in the photographer’s bag.
Its use reduces reflections ( on water, glass, etc.) and adds saturation to colours (sky, foliage, flowers, etc.) which are determinant for your creativity and the good result of your images.
Light absortion 1,2 stop.
Code T3080
Linear Polarizer filter in polyester, Polarizing efficiency: 99.99%, Wavelength: 380~700nm, protective film on both sides. Helping to reduce reflections and glare, the Silvestri Talos Linear Polarizer Filter filters out light that has become polarized due to reflection from a non-metallic surface. By filtering this light, a noticeable increase in the saturation of skies and foliage is possible, as well as the ability to produce clearer imagery when photographing in hazy conditions. A linear polarizer differs from a circular polarizer in that it does not support the use of a camera's autofocus or auto exposure functions; it is best suited for use with manual cameras, such as view cameras, that are not dependent on internal mechanisms to determine focus or metering settings.
code PO-75
Linear Polarizer filter in polyester, Polarizing efficiency: 99.99%, Wavelength: 380~700nm, protective film on both sides. Helping to reduce reflections and glare, the Silvestri Talos Linear Polarizer Filter filters out light that has become polarized due to reflection from a non-metallic surface. By filtering this light, a noticeable increase in the saturation of skies and foliage is possible, as well as the ability to produce clearer imagery when photographing in hazy conditions. A linear polarizer differs from a circular polarizer in that it does not support the use of a camera's autofocus or auto exposure functions; it is best suited for use with manual cameras, such as view cameras, that are not dependent on internal mechanisms to determine focus or metering settings.
code PO-10
Linear Polarizer filter in polyester, Polarizing efficiency: 99.99%, Wavelength: 380~700nm, protective film on both sides. Helping to reduce reflections and glare, the Silvestri Talos Linear Polarizer Filter filters out light that has become polarized due to reflection from a non-metallic surface. By filtering this light, a noticeable increase in the saturation of skies and foliage is possible, as well as the ability to produce clearer imagery when photographing in hazy conditions. A linear polarizer differs from a circular polarizer in that it does not support the use of a camera's autofocus or auto exposure functions; it is best suited for use with manual cameras, such as view cameras, that are not dependent on internal mechanisms to determine focus or metering settings.
code PO-11
Circular Polarizer filter in polyester, Polarizing efficiency: 99.99%, Wavelength: 380~700nm, protective film on both sides. Helping to reduce reflections and glare, the Silvestri Circular Polarizer Filter filters out light that has become polarized due to reflection from a non-metallic surface. By filtering this light, a noticeable increase in the saturation of skies and foliage is possible, as well as the ability to produce clearer imagery when photographing in hazy conditions. A Circular polarizer supports the use of a camera's autofocus or auto exposure functions.
code PO-02
Linear Polariser filter in polyester, Polarizing efficiency: 99.99%, Wavelength: 380~700nm, protective film on both sides. Helping to reduce reflections and glare, the Silvestri Talos Linear Polarizer Filter filters out light that has become polarized due to reflection from a non-metallic surface. By filtering this light, a noticeable increase in the saturation of skies and foliage is possible, as well as the ability to produce clearer imagery when photographing in hazy conditions. A linear polariser differs from a circular polarizer in that it does not support the use of a camera's autofocus or auto exposure functions; it is best suited for use with manual cameras, such as view cameras, that are not dependent on internal mechanisms to determine focus or metering settings.
code PO-A4
Linear Polariser filter in polyester, Polarizing efficiency: 99.99%, Wavelength: 380~700nm, protective film on both sides. Helping to reduce reflections and glare, the Silvestri Talos Linear Polarizer Filter filters out light that has become polarized due to reflection from a non-metallic surface. By filtering this light, a noticeable increase in the saturation of skies and foliage is possible, as well as the ability to produce clearer imagery when photographing in hazy conditions. A linear polariser differs from a circular polarizer in that it does not support the use of a camera's autofocus or auto exposure functions; it is best suited for use with manual cameras, such as view cameras, that are not dependent on internal mechanisms to determine focus or metering settings.
code PO-62100
| Description | codice |
|---|---|
| 3 Light Yellow | SC407P |
| 8 Yellow | SC398P |
| 11 Yellow-Green | SC404P |
| 12 Dark-Yellow | SC420P |
| 15 Dark-Yellow | SC426P |
| 16 Yellow-Orange | SC456P |
| 21 Orange | SC395P |
| 23A Light-Red | SC441P |
| 25 Red | SC392P |
| 47B Deep-Blue | SC432P |
| 58 Green | SC401P |
| B&W Kit (8, 11, 21 & 23A) | SC413P |
